Wednesday, December 3, 2008

24 Frames: Australian New Wave

The beauty of studying film is that there is always something new that came out of something old. The Australian New Wave is something that I recently discovered and I've actually unwittingly seen several movies from this movement. I even own some. Let's take a look t it, shall we?

Unlike the French New Wave which was spawned from a bunch of upstarts revolting against the film policy of the time, the folks down under just started making a group of movies that gained notoriety and popularity around the world. This popularity laster from around 1971 to approximately 1989 and included films that reached from the low to the high brow.

There are very few popular film movements that include a range of topics like The Year Of Living Dangerously, Breaker Morant, Razorback, The Road Warrior, My Brilliant Career and BMX Bandits. If that doesn't cover a rainbow of wackiness, I'm not sure what would.

The more pop culture loving entertainment crowd pleasers have recently been giving the label Ozploitation from a new documentary called Not Quite Hollywood. It takes a look at the low budget high octane exploitation movies of the era. These films include the Mad Max trilogy (as well as several other car movies), sexploitation, kung fu and lots of blood n' gore. Sound pretty terrific right?

Yes it is only putting a name to a period of time in a country's film industry, but it is exciting because it allows a framework of study. It's like offering a syllabus of movies to watch and try to understand the connection. I saw The Year Of Living Dangerously and Razorback as a kid, but I'd never consider that there was any sort of connection. Now I know there is. A period of time in a county's industry where business politics and ideas as well as audience understanding allowed both of these films to emerge from the same kettle.

Mel Gibson, Nicole Kidman, George Miller, Peter Weir, Bruce Beresford, Sam Neill, Judy Davis, Phillip Noyce and Bryan Brown all emerged during this period of time. That is an amazing list of talent that have also made some great films in the United States. WOuld they have become as well known without the popularity of that movement? Who knows.

But...

There is one down side and I don't believe that any other country can claim to have damaged movies as much as the Aussies have. It is during this era that they gave us Paul Hogan and Yahoo Serious.

We are still awaiting an apology.

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